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" ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure. "
The Imperial magazine; or, Compendium of religious, moral, & philosophical ... - Side 645
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哈姆雷特

Charles Lamb - 2002 - 175 sider
...our players do, I had as life the town-crier spoke my lines. (...) for any thing so o'erdone is from the purpose of playing, whose end, both at the first...and now, was and is, to hold as 'twere the mirror up to 'f/.,m/./~. /',/,„* ../ '•/<,„„„„/• nature; to show virtue her feature, scorn her...
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Shakespearean Scholarship: A Guide for Actors and Students

Leslie O'Dell - 2002 - 413 sider
...can suck die lifeblood out of die rehearsal process. The Mirror For any thing so over-done, is from the purpose of Playing, whose end both at the first...and now, was and is, to hold as 'twere the Mirror up to Nature; to show Virtue her own Feature, Scorn her own Image, and the very Age and Body of the...
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Shakespeare and Scandinavia: A Collection of Nordic Studies

Gunnar Sorelius - 2002 - 213 sider
...been translated for him, he might perhaps have found a special significance in Hamlet's remarks on the purpose of playing, whose end both at the first,...and now, was and is, to hold as 'twere the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the...
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Re-viewing Fascism: Italian Cinema, 1922-1943

Jacqueline Reich, Piero Garofalo - 2002 - 384 sider
...Intimations of Neorealism in the Fascist Ventennio Ennio Di Nolfo For anything so o'erdone is from the purpose of playing, whose end, both at the first...and now, was and is, to hold as 'twere the mirror up to nature: to show virtue her feature, scorn her own image, and the very age and body of the time...
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Re-viewing Fascism: Italian Cinema, 1922-1943

Jacqueline Reich, Piero Garofalo - 2002 - 368 sider
...InIiniaIions o( Neorealism io I6e FascisI Venfetioio Ennio Di Nolfo For anything so o'erdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold as 'twere the mirtor up to nature: to show virtue her feature, scorn her ovvn image, and the very aiie and hudy of...
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How it was Done in Paris: Russian Émigré Literature and French Modernism

Leonid Livak - 2003 - 316 sider
...about the novel as a mirror of life, Hamlet had discoursed before a group of itinerant actors about "the purpose of playing, whose end, both at the first...and now, was and is, to hold, as 'twere, the mirror up to nature" (Hamlet, I090). Nabokov was surely no less aware than Gide of the esthetic "aberration"...
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The Sea and the Mirror: A Commentary on Shakespeare's The Tempest

Edward Mendelson, Wystan Hugh Auden - 2003 - 106 sider
...spoken of the conjured spectacle as 'a mirror held up to nature": Cf. Hamlet's address to the players: "the purpose of playing, whose end, both at the first...and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the...
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Understanding A Midsummer Night's Dream: A Student Casebook to Issues ...

Faith Nostbakken - 2003 - 197 sider
...special observance, that you o'erstep not the modesty of nature: fot any thing so o'erdone is from the purpose of playing, whose end, both at the first...and now, was and is, to hold as 'twere the mirror up to nature: to show virtue her feature, scorn her own image, and the very age and body of the time...
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Acting Shakespeare: For Auditions and Examinations

Frank Barrie - 2003 - 111 sider
...this special observance, that you o'erstep not the modesty of nature. For anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is to hold as twere the mirror up to nature Hamlet act 3 scene 2 Termagant' and 'Herod' were characters in Medieval Mystery Plays...
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莎士比亞四大悲劇

2004
...our players do, I had as life the town-crier spoke my lines.(...) for any thing so o'erdone is from the purpose of playing, whose end, both at the first...and now, was and is, to hold as 'twere the mirror up to (II, ii, 1-4,22-24) a (£-i£ , ^^-# ' 1-4 ' 22-24 If) Queen : Sweets to the sweet, farewell!...
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