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" Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music,... "
The World of Proverb and Parable: With Illustrations from History, Biography ... - Side 81
af Edwin Paxton Hood - 1885 - 563 sider
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Performance: pt. 1. Identity and the self

Philip Auslander - 2003 - 480 sider
...psychological complexity that he's not all there, spread out on the surface, like a modernist painting. ("You would play upon me; you would seem to know my...stops; you would pluck out the heart of my mystery," complains Hamlet to Rosencrantz and Guildenstern.) By contrast, Frank Stella affirmed his own commitment...
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Instances of the Number 3: A Novel

Salley Vickers - 2003 - 320 sider
...his so-called friends who try to manipulate him.' Why, lool^ you now, how unworthy a thing you mafye of me! You would play upon me; you would seem to know my stops . . . Hamlet says to Rosencrantz and Guildenstern, who are only playing the parts of friends, in reality...
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The Shakespeare Enigma

Peter Dawkins - 2004 - 477 sider
...for nothing, therefore, does Bacon make Hamlet say in exasperation to the artless Guildenstern: Ham. Why, look you now, how unworthy a thing you make of...music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what...
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The Anatomy of Madness: Essays in the History of Psychiatry, Bind 1

William F. Bynum, Roy Porter, Michael Shepherd - 2004 - 336 sider
...Guildenstern: But these cannot I command to any utterance of harmony, I have not the skill. Hamlet: Why look you now, how unworthy a thing you make of...music, excellent voice, in this little organ, yet cannot you make it speak. Why do you think that I am easier to be played on, than a pipe? Call me what...
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Shakespeare and Language

Catherine M. S. Alexander - 2004 - 294 sider
...courrly playing upon him as a phallic pipe or recorder of which he accuses Rosencrant2 and Guildenstern: You would play upon me, you would seem to know my...compass; and there is much music, excellent voice in this lirtle organ, yet cannot you make it speak, 'Sblood, do you think I am easier to be played on than...
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The Construction of Tragedy: Hubris

Mary Anneeta Mann - 2004 - 228 sider
...sound out Hamlet. The scene ends with Hamlet's emotional plea concerning the duplicity of their method: How unworthy a thing you make of me! you would play...stops; you would pluck out the heart of my mystery; . . . and there is much music, excellent voice in this little organ, yet cannot you make it speak....
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Shakespeare and Renaissance Politics

Andrew Hadfield - 2004 - 315 sider
...is as easy as lying' (3.2.348). When Guildenstern admits that he has not the skill, Hamlet counters, 'how unworthy a thing you make of me. You would play upon me. . . . you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass'...
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Shakespeare and the Classics

Charles Martindale, A. B. Taylor - 2011
...ruled mysclf. Did they think I was nothing but a pipe to be played on as theit momenr's fancy chose?'' You would play upon me, you would seem to know my stops . . . 'Sblood, do you think I am easier to be play'd on than a pipe? (Hamles 3.2.364-370) Further curious...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 896 sider
...GUILD'RN But these cannot I command to any utt'rance of har- 350 mony, I have not the skill. HAMLET Why, look you now, how unworthy a thing you make of...music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what...
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Music in Shakespearean Tragedy

Frederick William Sternfeld - 2005 - 334 sider
...stops. Guil. But these cannot I command to any utterance of harmony. I have not the skill. Hamlet. Why look you now, how unworthy a thing you make of...to the top of my compass; and there is much music, 1 This stage direction is taken from Q2. The F text reads: 'Enter one with a recorder'. Cf. Greg FF...
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