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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...
af Victor L. Cahn - 1996 - 865 sider
Ingen forhåndsvisning - Om denne bog

The plays (poems) of Shakespeare, ed. by H. Staunton, the ..., Del 170,Bind 3

William Shakespeare - 1860 - 834 sider
...Good my lord ! HAM. Ay, so, God be wi' you ! — [Exeunt ROSENCRANTZ and GUILDENSTEHN. Now I am alone. O, what a rogue and peasant slave am I ! Is it not...so to his own* conceit, That, from her working, all his visage wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function...
Fuld visning - Om denne bog

The Plays of Shakespeare, Bind 3

William Shakespeare - 1860 - 838 sider
...my lord ! HAM. Ay, so, God be wi' you ! — [Exeunt ROSENCHANTZ and GUILDENSTF.BN. Now I am alone. spea his visage wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function...
Fuld visning - Om denne bog

The Plays of Shakespeare with the Poems, Bind 3

William Shakespeare - 1860 - 834 sider
...Good my lord ! HAM. Ay, so, God be wi' you ! — [Ertunt ROSENCBANTZ and GUILDENBTEHN. Now I am alone. 3 Q &@ u-!CU S r ! C@ " FgՆ c eK 6 .S ] G r/_ XV w A his visage wann'd :^ Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function...
Fuld visning - Om denne bog

The Plays of Shakespeare, Bind 3

William Shakespeare - 1860 - 836 sider
...[Exeunt KOSENCKANTZ and GUH.DENSTF.HN. Now I am alone. O, what a rogue and peasant slave am I ! 1ч LEAR. Nothing : I have sworn ; I am firm. BUR. I am sorry, then, you have so lost his visage wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 252 sider
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function...
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Shakespeare's Brain: Reading with Cognitive Theory

Mary Thomas Crane - 2010 - 276 sider
...relationship between such outward "actions" and inner feeling. He believes that the player has been able to force his soul so to his own conceit That from her...whole function suiting With forms to his conceit[.] (2.2.553-57) This marks a change, however slight, from Hamlet's early theory about the falsification...
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Heinemann Advanced Shakespeare: Hamlet

William Shakespeare - 2000 - 356 sider
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 555 But in a fiction, in a dream of passion, Could force...soul so to his own conceit, That from her working all his visage wanned; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function...
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 sider
...Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function...
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke

William Shakespeare - 2001 - 304 sider
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,...
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Guilty Creatures : Renaissance Poetry and the Ethics of Authorship ...

Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 282 sider
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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