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" And when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves... "
Horace, with Engl. notes by J.E. Yonge - Side 268
af Quintus Horatius Flaccus - 1865
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Selections from the British Poets: Chronologically Arranged from Chaucer to ...

1851 - 496 sider
...universal Pan, Knit, with the graces and the hours in dance, Led on the eternal spring. EVENING EEP03E. WHEN the sun begins to fling His flaring beams, me, Goddess, bring To arched -walks And shadows ^IONYH, Of pine or monumental oak, Where the rude axe with heaved stroke, Was never heard...
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The Works of the British Poets, Selected and Chronologically Arranged ...

1852 - 874 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. thout their aid to seal these dying eyes." She ceas'd...all the nymph was lost within the tree ; Yet laten Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt,...
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Hausschatz englischer Poesie: Auswahl aus den Werken der bedeutendsten ...

Oskar Ludwig Bernhard Wolff - 1852 - 438 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. And when the sun begins to fling His flaring beams...twilight groves, And shadows brown that Sylvan loves Of pine, or monumental oake, Where the rude ax with heaved stroke Was never heard the nymphs to daunt,...
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The Class Book of Poetry

Class-book - 1852 - 152 sider
...hath the buskin' d stage. Thus, Night, oft see me in thy pale career, Till civil-suited Morn appear. And when the Sun begins to fling His flaring beams,...arched walks of twilight groves, And shadows brown that Sylvan2 loves Of pine or monumental oak, Where the rude axe with heaved stroke Was never heard the...
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Poets of England and America: Being Selections from the Best Authors of Both ...

1853 - 560 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. And when the sun begins to fling His flaring beams,...twilight groves, And shadows brown that Sylvan loves Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt,...
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Milton's Poetical Works: With Life, Critical Dissertation, and ..., Bind 2

John Milton, George Gilfillan - 1853 - 376 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. And, when the sun begins to fling His flaring beams,...walks of twilight groves, And shadows brown, that Sylvan8 loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard...
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Milton's Poetical Works: With Life, Critical Dissertation ..., Side 109,Bind 2

John Milton - 1853 - 372 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. And, when the sun begins to fling His flaring beams,...walks of twilight groves, And shadows brown, that Sylvan8 loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard...
Fuld visning - Om denne bog

The Harvard Classics, Bind 4

1909 - 502 sider
...the gust hath blown his fill, Ending on the rustling leaves, With minute drops from off the eaves. And, when the sun begins to fling His flaring beams,...twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt,...
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Studies Concerning the Origin of "Paradise Lost.", Bind 5,Oplag 6

Heinrich Mutschmann - 1924 - 80 sider
...the word shore occurs in Purchas' text (p, 528). LXXII1. In the Russian Primeval Forest. 132 . . . me, Goddess, bring To arched walks of twilight groves, And shadows brown, that Sylvan loves, 135 Of pine and monumental oak, Where the rude axe with heaved stroke Was never heard the nymphs to...
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John Milton: Introductions

John Broadbent - 1973 - 364 sider
...Spenser and Shakespeare. The ' I ' figures in these poems are consciously immature and developing: And when the sun begins to fling His flaring beams,...twilight groves, And shadows brown that Sylvan loves. Penseroso 131 But 1Sth-century poets took on the stance of il penseroso without any sense of its limitations...
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