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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
Macmillan's Magazine - Side 237
redigeret af - 1904
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Haunted Museum: Longing, Travel, and the Art-romance Tradition

Jonah Siegel - 2005 - 308 sider
...insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...where there is no shadow, no antiquity, no mystery. 12 Not only is it the case that James criticizes Hawthorne for doing precisely what the earlier author...
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Freedom Just Around the Corner: A New American History: 1585-1828

Walter A. McDougall - 2004 - 660 sider
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Hours in a Library -, Bind 1

Leslie Stephen - 2006 - 392 sider
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Student Companion to James Fenimore Cooper

Craig White - 2006 - 232 sider
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Confessions and Criticisms

Julian Hawthorne - 2007 - 148 sider
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Obsolete Objects in the Literary Imagination: Ruins, Relics, Rarities ...

Francesco Orlando - 2008 - 520 sider
...1 But in the preface to The Marble Faun, the Italian setting is justified as an alternative to the country "where there is no shadow, no antiquity, no mystery, no picturesque and gloomy evil."174 And the ambivalence of the images of Rome is tantamount to the contaminations which pull...
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Race, Slavery, and Liberalism in Nineteenth-Century American Literature

Arthur Riss - 2006 - 134 sider
...from the United States that he makes the seemingly outrageous statement that in his "dear native land" there "is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong" (3). In particular, Hawthorne locates Rome as the ideal setting for a Romance because, unlike the United...
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One True Theory & the Quest for an American Aesthetic

Martha Banta - 2007 - 336 sider
...insisted upon, as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...daylight, as is happily the case with my dear native land" (preface to The Marble Faun, 3). (The complex meaning of this statement is tested further in the crucial...
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Henry James and the Visual

Kendall Johnson - 2007 - 0 sider
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Transatlantic Literary Studies: A Reader

Susan Manning, Andrew Taylor - 2007 - 368 sider
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