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" His legs bestrid the ocean ; his rear'd arm Crested the world ; his voice was propertied As all the tuned spheres, and that to friends ; But when he meant to quail and shake the orb, He was as rattling thunder. "
The plays of William Shakspeare, with the corrections and illustr. of ... - Side 388
af William Shakespeare - 1809
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The Plays of Shakespeare: A Thematic Guide

Victor L. Cahn - 2001 - 361 sider
...rear'd arm Crested the world, his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was as rattling thunder . . . His delights Were dolphin-like, they show'd his back above The element they liv'd in. In his...
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Speech and Performance in Shakespeare's Sonnets and Plays

David Schalkwyk, Academic Director of Global Shakespeare David Schalkwyk - 2002 - 262 sider
...reared arm Crested the world. His voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was...winter in 't; an autumn 'twas, That grew the more by reaping. His delights Were dolphin-like; they showed his back above The element they lived in. In his...
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Shakespeare Survey, Bind 28

Kenneth Muir - 2002 - 200 sider
...rear'd arm Crested the world: his voice was propertied As all the tuned spheres, and that to friends: But when he meant to quail, and shake the orb, He...was no winter in 't: an autumn 'twas That grew the morc by reaping. (v, ii, 82-8) There are probably more of these fascinating inverted images that I...
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The Imperial Theme

G. Wilson Knight - 2002 - 392 sider
...rear'd arm Crested the world: his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was...thunder. For his bounty, There was no winter in 't; an autumn1 'twas That grew the more by reaping: his delights Were dolphin-like; they show'd his back above...
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Shakespeare and Religion: Essays of Forty Years

G. Wilson Knight - 2002 - 374 sider
...rear'd arm Crested the world; his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was...rattling thunder. For his bounty There was no winter in't . . . (v. ii. 76) 233 She goes to meet him, leaving the 'elements' of 'baser life* for 'fire*...
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Shakespeare Survey, Bind 33

Kenneth Muir - 2002 - 236 sider
...rear'd arm Crested the world: his voice was propertied As all the tuned spheres, and that to friends: But when he meant to quail, and shake the orb, He...rattling thunder. For his bounty, There was no winter in't: an autumn 'twas That grew the more by reaping: his delights Were dolphin-like, they show'd his...
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Byron and Shakespeare

G. Wilson Knight - 2002 - 381 sider
...rear'd arm Crested the world; his voice was propertied As all the tuned spheres, and that to Friends; But when he meant to quail and shake the orb, He was...rattling thunder. For his bounty, There was no winter in't; an Antony 'twas That grew the more by reaping; his delights Were dolphin-like, they show'd his...
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Shakespeare's Tragic Skepticism

Millicent Bell - 2002 - 283 sider
...reared arm Crested the world; his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was...rattling thunder. For his bounty, There was no winter ¡n't; an autumn 'twas That grew the more by reaping. His delights Were dolphin-like; they showed his...
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The Shakespearian Tempest: With a Chart of Shakespeare's Dramatic Universe

G. Wilson Knight - 2002 - 360 sider
...Cleopatra's dream of Antony: ... his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was as rattling thunder. (v. ii. 83) Here love's voice, as often elsewhere, is compared with the spheral music of the universe....
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A Short History of Western Performance Space

David Wiles - 2003 - 316 sider
...reared arm Crested the world; his voice was propertied As all the tuned spheres - and that to friends But when he meant to quail and shake the orb, He was as rattling thunder . . ,8' it is easy for a modern audience in the reconstructed Globe to grasp the metaphors of scale....
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