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" ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another... "
Blackwood's Edinburgh Magazine - Side 258
1823
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A History of English Prosody from the Twelfth Century to the Present Day, Bind 2

George Saintsbury - 1908
...tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight ; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings — a fault avoided by the learned ancients...
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English Poems: The Elizabethan age and the Puritan period (1550-1660)

Walter Cochrane Bronson - 1909
...tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both...
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A Study of English Rhyme

Charles Francis Richardson - 1909 - 211 sider
...tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight ; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, — a fault avoided by the learned ancients...
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Paradise lost

John Milton - 1910
...tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight ; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, — a fault avoided by the learned ancients...
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A Handbook of Poetics for Students of English Verse

Francis Barton Gummere - 1913 - 250 sider
...all judicious ears, trivial and of no musical delight"; his definition of true metre as consisting " in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another" (cf. § 4, on Rhythmical Pause), may, with certain allowances, hold good for stately...
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Elizabethan Criticism of Poetry ...

Guy Andrew Thompson - 1914 - 216 sider
...lame metre a thing of itself, to all judicious ears, trivial and of no true musical delight; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another; not in the jingling sound of like endings, a fault avoided by the learned ancients both...
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The Leading English Poets from Chaucer to Browning: Ed., with Introduction ...

Lucius Hudson Holt - 1915 - 918 sider
...tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight; which We've had wi' ane anither; Now we maun totter down,...John, And hand in hand we '11 go, And sleep thegither into another, not in the jingling sound of like endings — a fault avoided by the learned ancients...
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The Principles of English Versification

Paull Franklin Baum - 1922 - 215 sider
...when the poetical fashion was for rime and described it, in words not altogether clear, as consisting "only in apt numbers, fit quantity of syllables, and...sense variously drawn out from one verse to another." 1 Apt numbers, that is, appropriate rhythms, Milton's verse certainly has; but it is the last item,...
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The Film Sense

Sergei Eisenstein, Sergej M. Ėjzenštejn, Sergej Michajlovic Ejzenstejn - 1947 - 288 sider
...for enjambement in the introduction to Paradise Lost: . . . true musical delight . . . consists onely in apt Numbers, fit quantity of Syllables, and the sense variously drawn out from one Verse into another . . ,28 * Julian and Maddalo. Paradise Lost itself is a first-rate school in which to...
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Repetition

Andreas Fischer - 1994 - 268 sider
...on the movement of poetry in the history of English literary criticism: True musical delight . . . consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another. (457) The first two of these properties are clearly metrical phenomena, however problematic...
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