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" The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale or piny mountain, Or forest, by slow stream or pebbly spring, Or chasms, and watery depths ; all these... "
Ten Great Religions: An Essay in Comparative Theology - Side 308
af James Freeman Clarke - 1888
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The London University Magazine, Bind 1

1842 - 416 sider
...false ; for how is it that we love to revel in the images of the past ? to call up and linger amongst " The intelligible forms of ancient poets, The fair...haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms, and wat'ry depths" ? Imagination fading, old and past is memory....
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Thoughts on Moral and Spiritual Culture

Robert Cassie Waterston - 1842 - 338 sider
...mind with sacred awe ? Like the shadows that rested under primeval forests they have passed away. " The intelligible forms of ancient poets, The fair...haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths : — all these have vanish'd !" Vanished! —...
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The Dial, Bind 2

Margaret Fuller, Ralph Waldo Emerson, George Ripley - 1842 - 642 sider
...lullabies, vanish utterly, or remain as monuments in history of the progress, or decline of mankind. " The intelligible forms of ancient poets, The fair...haunts in dale, or piny mountain, Or forest by slow strsam, or pebbly spring, Or chasms and watery depths; all these have vanished." Why has not this belief,...
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Journal of a Visitation to the Provinces of Travancore and Tinnevelly: In ...

George Trevor Spencer - 1842 - 286 sider
...— might have ascribed to it its nymphs and dryads, — The intelligible forms of ancient poetry, The fair humanities of old religion. The power, the...haunts in dale or piny mountain, Or forest, by slow stream, or pebbly spring, Or chasms and watery depths. I have been a lover and seeker out of trees...
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Import and Value of the Popular Lecturing of the Day: A Discourse Pronounced ...

Calvin Pease - 1842 - 56 sider
...alone gives it an interest and value for the soul, and unites it with the heart, bringing back to us, " The intelligible forms of ancient poets, The fair...religion, The Power, the Beauty and the Majesty, That had her haunts in dale, or piny mountain, Or forest by low stream, or pebbly spring, Or chasms or wat'ry...
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A History of Japan to 1334, Bind 1

Sir George Bailey Sansom - 1958 - 532 sider
...feeling of loss is beautifully described in the well-known lines from Coleridge (adapting Schiller): The intelligible forms of ancient poets, The fair...haunts in dale or piny mountain Or forest by slow stream or pebbly spring Or chasms or watery depths. All these have vanished, They live no longer in...
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The Visionary Company: A Reading of English Romantic Poetry

Harold Bloom - 1971 - 516 sider
...on the relevance of the imagination's instinctual thrust toward making natural forms intelligible: The intelligible forms of ancient poets, The fair...haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths: all these have vanished. They live no longer...
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The Mirror and the Lamp: Romantic Theory and the Critical Tradition

Meyer Howard Abrams - 1971 - 420 sider
...himself. This is the theme of Coleridge's expanded translation of a passage in Schiller's Die Piccolomini: The intelligible forms of ancient poets, The fair humanities of old religion . . . ... all these have vanished. They live no longer in the faith of reason! But still the heart...
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The Rise of Modern Mythology, 1680-1860

Burton Feldman, Robert D. Richardson - 2000 - 596 sider
...expressed in the well-known lines of Coleridge, in "The Piccolomini," Act ii Scene 4. The intelligihle forms of ancient poets, The fair humanities of old...their haunts in dale or piny mountain, Or forest, hy slow stream, or pehhly spring. Or chasms and watery depths; all these have vanished; They live no...
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Rivermen: A Romantic Iconography of the River and the Source

Frederic Stewart Colwell - 1989 - 246 sider
...owe nothing to Schiller but the occasion, and are Coleridge's own interpolation. For fable is Love's world, his home, his birth-place; Delightedly dwells...haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths; all these have vanished. They live no longer...
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