The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1. jan. 2002 - 347 sider Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
Fra bogen
Resultater 6-10 af 51
Side 5
... course , at the time of the emergence of the theater of the Absurd , when Ruby Cohn and I were assigned the same office at San Francisco State College ( not yet a univer- sity ) because of our common interest in Beckett , considered by ...
... course , at the time of the emergence of the theater of the Absurd , when Ruby Cohn and I were assigned the same office at San Francisco State College ( not yet a univer- sity ) because of our common interest in Beckett , considered by ...
Side 8
... course, knows exactly why, though subsequent allegorization of the sui- cide saw it as his either taking responsibility for the crushing defeat of socialism or a sacrificial act impelling it into the future. As the parable dissipates in ...
... course, knows exactly why, though subsequent allegorization of the sui- cide saw it as his either taking responsibility for the crushing defeat of socialism or a sacrificial act impelling it into the future. As the parable dissipates in ...
Side 10
... course of such developments since the fifties and the sixties , it might be with a recognition of something at the heart of theater that , despite all de- mystifications, has persisted in practice and been dispelled by no 10 ...
... course of such developments since the fifties and the sixties , it might be with a recognition of something at the heart of theater that , despite all de- mystifications, has persisted in practice and been dispelled by no 10 ...
Side 18
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Side 20
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
Indhold
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
Andre udgaver - Se alle
Almindelige termer og sætninger
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York