 | Yang Ye - 1996 - 190 sider
In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the ... | |
 | Amy McNair - 1998 - 202 sider
In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese ... | |
 | Timothy Roland Bradstock - 1997 - 452 sider
This text includes: accurate translations of Chinese verse into English; an exploration of the period of Kanshi production; and the biographies of over 100 poets. The volume ... | |
 | Timothy Roland Bradstock - 1997 - 484 sider
This text includes: accurate translations of Chinese verse into English; an exploration of the period of Kanshi production; and the biographies of over 100 poets. The volume ... | |
 | Yang Ye - 1996 - 188 sider
In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the ... | |
 | Valérie Malenfer Ortiz - 1999 - 296 sider
A study of Chinese landscape painting, centered on the 12th century handscroll, "Dream Journey over Xiao Xiang (Xiao Xiang woyou tu)," in the collection of the Tokyo National ... | |
 | Alfreda Murck - 2000 - 444 sider
During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles ... | |
| |
