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was

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shameful ! * All the declamatory parts were left, all the dramatic ones “ struck out; and Cooper, the new actor, “ was the murderer of the whole. Lioni's

soliloquy, which I wrote one moonlight

night after coming from the Benzons', “ought to have been omitted altogether, or

at all events much curtailed. What audi.

ence will listen with any patience to “ mere tirade of poetry, which stops the “ march of the actor? No wonder, then, “ that the unhappy Doge should have been “ damned! But it was no pleasant news “ to me; and the letter containing it was

accompanied by another, to inform me 6 that an old lady, from whom I had great expectations, was likely to live to an hun

There is an autumnal shoot in

66

66 dred.

* Acted at Drury Lane, April 25, 1821.

some old people, as in trees; and I fancy “ her constitution has got some of the new

sap. Well, on these two pleasant pieces “ of intelligence I wrote the following epi

gram, or elegy it may be termed, from " the melancholy nature of the subject :

Behold the blessings of a happy lot!
My play is damn'd, and Lady

not !

66

“I understand that Louis Dix-huit, or des huitres, as Moore spells it, has made a traduction of poor 'Faliero;' but I should

hope it will not be attempted on the Théatre François. It is quite enough for

a man to be damned once. I was satisfied “ with Jeffrey's critique* on the play, for it

* “ However, I forgive him; and I trust He will forgive himself :-if not, I must.

Old

“ abounded in extracts. He was welcome to “ his own opinion,—which was fairly stated. “ His summing up in favour of my

friend “ Sir Walter amused me: it reminded me of

a schoolmaster, who, after flogging a bad 'boy, calls, out the head of the class, and, patting him on the head, gives him all the sugar-plums.

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“ The common trick of Reviewers is, “ when they want to depreciate a work, to

give no quotations from it. This is what "The Quarterly'shines in;—the way Milman

put down Shelley, when he compared him to Pharaoh, and his works to his chariot“ wheels, by what contortion of images I

Old enemies who have become new friends, Should so continue ; —-'tis a point of honour.”

Don Juan, Canto X. Stanzas. 11 and 12.

forget;- but it reminds me of another per" son's comparing me in a poem to Jesus “ Christ, and telling me, when I objected to “its profanity, that he alluded to me in

situation, not in person! What !' said I in reply, 'would you have me crucified ? “ We are not in Jerusalem, are we?' But “ this is a long parenthesis. The Reviewers “ are like a counsellor, after an abusive

speech, calling no witnesses to prove his “ assertions.

“ There are people who read nothing but “ these trimestrials, and swear by the ipse 6 dixit of these, autocrats these Actæon “ hunters of literature. They are fond of “ raising up and throwing down idols. "The Edinburgh' did so with Walter Scott's poe

—perhaps there is no merit in my plays ? It may be so; and Milman

try, and,

may be a great poet, if Heber is right and “ I am wrong. He has the dramatic faculty, “ and I have not. So they pretended to say “ of Milton. I am too happy in being

coupled in any way with Milton, and shall “ be glad if they find any points of compa“ rison between him and me.

“ But the praise or blame of Reviewers “ does not last long now-a-days. It is like 66 straw thrown

up

in the air.*

“I hope, notwithstanding all that has “ been said, to write eight more plays this

* He seemed to think somewhat differently afterwards, when, after the review in The Quar, terly' of his plays, he wrote to me, saying, “ I am the most unpopular writer going ! "

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