The Yale Literary Magazine, Bind 136,Oplag 1–3Yale Literary Society, 1967 |
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Side 36
... style developed , the outright imita- tions of soul music disappeared . They blended the soul sound with folk and Indian music , baroque devices , and electronic trickery to produce their own curious- ly hard , almost brittle style ...
... style developed , the outright imita- tions of soul music disappeared . They blended the soul sound with folk and Indian music , baroque devices , and electronic trickery to produce their own curious- ly hard , almost brittle style ...
Side 37
... style took the form of real explosion in the sense that they moved in many directions at once , taking in influences as they went , and transforming their discoveries into an integral part of their style . Folksong , Indian , Baroque ...
... style took the form of real explosion in the sense that they moved in many directions at once , taking in influences as they went , and transforming their discoveries into an integral part of their style . Folksong , Indian , Baroque ...
Side 9
... style ? Kunitz : It is hard to say . Every artist , as Malraux has said , is born into a style . That style is a compound of all the artwork of a generation . There is a voice that belongs to each epoch in history , and it is different ...
... style ? Kunitz : It is hard to say . Every artist , as Malraux has said , is born into a style . That style is a compound of all the artwork of a generation . There is a voice that belongs to each epoch in history , and it is different ...
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