The Yale Literary Magazine, Bind 136,Oplag 1–3Yale Literary Society, 1967 |
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Side 6
... Dickey's lack of formal training and his virtual ignorance of the craft of poetry . Dickey has been called by his numerous detractors the James Jones of poetry , and there is some truth in the charge - much , but some . For Dickey came ...
... Dickey's lack of formal training and his virtual ignorance of the craft of poetry . Dickey has been called by his numerous detractors the James Jones of poetry , and there is some truth in the charge - much , but some . For Dickey came ...
Side 7
... Dickey held to this makeshift skeleton of a metric even into Buckdancer's Choice , the only relief being an occasional two - beat or four - beat variation that was scarcely an improvement . But the important thing is that he opened that ...
... Dickey held to this makeshift skeleton of a metric even into Buckdancer's Choice , the only relief being an occasional two - beat or four - beat variation that was scarcely an improvement . But the important thing is that he opened that ...
Side 8
... Dickey's longest poem and his most recent , printed here separately at the beginning of the book . Its position is significant , for " Falling " is the very last poem in the volume . This sandwiching is Dickey's way of blowing his two ...
... Dickey's longest poem and his most recent , printed here separately at the beginning of the book . Its position is significant , for " Falling " is the very last poem in the volume . This sandwiching is Dickey's way of blowing his two ...
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