 | William Shakespeare - 1778 - 746 sider
...fubfequently to that year; which have been named his late productions. Whether in procefs of time, Shakfpeare grew weary of the bondage of rhyme, or whether he became convinced of its impropriety in a dramatick dialogue, his neglect of rhyming (for he never wholly difufcd it) feems to have been gradual.... | |
 | William Shakespeare - 1788 - 318 sider
...subsequently to that year; which have been named his late productions. Whether in process of time Shakspere grew weary of the bondage of rhyme, or whether he became convinced of its impropriety in a dramatick dialogue, his negleft of rhyming (for he never wholly disused it) seems to have been gradual.... | |
 | William Shakespeare - 1793 - 860 sider
...fubfequently to that year, which have been named his late produSimt. Whether in procefs of time Shakfpeare grew weary of the bondage of rhyme, or whether he became convinced of its impropriety in a dramatick dialogue, his negleft of rhyming (for he never wholly difufed it) feems to have been gradual.... | |
 | John Black - 1806 - 258 sider
...yet that his more early productions are characterized by a greater multitude of similar termihations, than those which- he wrote after the year 1600. And...was laziness that induced Shakespeare to abandon it ; and1 indeed that sublime genins seems often to have written with too great haste. Perhaps Dryden's... | |
 | William Shakespeare - 1898 - 456 sider
...plays composed ' subsequently to that year ; which have been named his late productions. Whether, ' in process of time, Shakespeare grew weary of the...impropriety in a dramatic dialogue, his neglect of rhym' ing (for he never wholly disused it) seems to have been gradual.' In Remarhs on the Differences... | |
 | William Shakespeare - 1898 - 460 sider
...plays composed ' subsequently to that year; which have been named his late productions. Whether, ' in process of time, Shakespeare grew weary of the...impropriety in a dramatic dialogue, his neglect of rhym' ing (for he never wholly disused it) seems to have been gradual' In Remarks on the Differences... | |
 | William Shakespeare - 1898 - 462 sider
...the plays composed 'subsequently to that year; which have been named his late productions. Whether, ' in process of time, Shakespeare grew weary of the...impropriety in a dramatic dialogue, his neglect of rhym' ing (for he never wholly disused it) seems to have been gradual.' In Remarks on the Differences... | |
 | William Shakespeare - 1904 - 442 sider
...all the plays composed subsequently to that year, which have been named his late productions. Whether in process of time Shakespeare grew weary of the bondage...whether he became convinced of its impropriety in dramatic dialogue, his neglect of rhyming (for he never wholly disused it) seems to have been gradual.... | |
 | William Shakespeare - 1904 - 438 sider
...all the plays composed subsequently to that year, which have been named his late productions. Whether in process of time Shakespeare grew weary of the bondage...whether he became convinced of its impropriety in dramatic dialogue, his neglect of rhyming (for he never wholly disused it) seems to have been gradual.... | |
 | William Shakespeare - 1904 - 438 sider
...all the plays composed subsequently to that year, which have been named his late productions. Whether in process of time Shakespeare grew weary of the bondage...whether he became convinced of its impropriety in dramatic dialogue, his neglect of rhyming (for he never wholly disused it) seems to have been gradual.... | |
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... more rhyming couplets are found, than in all the plays composed subsequently to that year, which have been named his late productions. 
