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Nor let my words import more blame than needs.
The tumult rose and ceased: for peace is nigh
Where wisdom's voice has found a listening heart.
Amid the howl of more than wintry storms,
The halcyon hears the voice of vernal hours
Already on the wing.

Eve following eve,

Dear tranquil time, when the sweet sense of Home
Is sweetest! moments for their own sake hailed
And more desired, more precious for thy song,
In silence listening, like a devout child,
My soul lay passive, by thy various strain
Driven as in surges now beneath the stars,
With momentary stars of my own birth,
Fair constellated foam,* still darting off
Into the darkness; now a tranquil sea,
Outspread and bright, yet swelling to the moon.

And when-0 Friend! my comforter and guide!
Strong in thyself, and powerful to give strength!-
Thy long sustained Song finally closed,

And thy deep voice had ceased-yet thou thyself
Wert still before my eyes, and round us both
That happy vision of beloved faces-
Scarce conscious, and yet conscious of its close
I sate, my being blended in one thought
(Thought was it? or aspiration? or resolve?)
Absorbed, yet hanging still upon the sound-
And when I rose, I found myself in prayer.

* "A beautiful white cloud of foam at momentary intervals coursed by the side of the vessel with a roar, and little stars of flame danced and sparkled and went out in it: and every now and then light detachments of this white cloud-like foam darted off from the vessel's side, each with its own small constellation, over the sea, and scoured out of sight like a Tartar troop over a wilderness."-The Friend

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No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip

Of sullen light, no obscure trembling hues.

Come, we will rest on this old mossy bridge!

You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently,
O'er its soft bed of verdure. All is still,
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
"Most musical, most melancholy" bird!*
A melancholy bird! Oh! idle thought!
In nature there is nothing melancholy.

But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,

Or slow distemper, or neglected love,

(And so, poor wretch! filled all things with himself,

And made all gentle sounds tell back the tale

Of his own sorrow) he, and such as he,
First named these notes a melancholy strain.
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs
Beside a brook in mossy forest-dell,

By sun or moon-light, to the influxes

Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! so his fame

Should share in Nature's immortality,

"Most musical, most melancholy."] This passage in Milton posseSSES an excellence far superior to that of mere description. It is spoken in the character of the melancholy man, and has therefore a dramatic propriety. The author makes this remark, to rescue himself from the charge of having alluded with levity to a line in Milton.

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A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature! But 'twill not be so;
And youths and maidens most poetical,
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy, must heave their sighs
O'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister! we have learnt
A different lore: we may not thus profane
Nature's sweet voices, always full of love
And joyance! 'Tis the merry Nightingale
That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!

And I know a grove

Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
But never elsewhere in one place I knew
So many nightingales; and far and near,

In wood and thicket, over the wide grove,

They answer and provoke each other's song,

With skirmish and capricious passagings,

And murmurs musical and swift jug jug,

And one low piping sound more sweet than all—
Stirring the air with such a harmony,

That should you close your eyes, you might almost
Forget it was not day! On moon-lit bushes,

Whose dewy leaflets are but half disclosed,

You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and full,
Glistening, while many a glow-worm in the shade
Lights up her love-torch.

A most gentle Maid,

Who dwelleth in her hospitable home
Hard by the castle, and at latest eve
(Even like a Lady vowed and dedicate

To something more than Nature in the grove)
Glides through the pathways; she knows all their notes,
That gentle Maid! and oft a moment's space,
What time the moon was lost behind a cloud,
Hath heard a pause of silence; till the moon
Emerging, hath awakened earth and sky
With one sensation, and these wakeful birds
Have all burst forth in choral minstrelsy,
As if some sudden gale had swept at once
A hundred airy harps! And she hath watched
Many a nightingale perched giddily

On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song
Like tipsy joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.-That strain again!
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear,
His little hand, the small forefinger up,

And bid us listen! And I deem it wise

To make him Nature's playmate. He knows well
The evening-star; and once, when he awoke
In most distressful mood (some inward pain
Had made up that strange thing, an infant's dream.

I hurried with him to our orchard-plot,

And he beheld the moon, and, hushed at once,

Suspends his sobs, and laughs most silently,

While his fair eyes, that swam with undropped tears, Did glitter in the yellow moon-beam! Well!-

It is a father's tale: But if that Heaven

Should give me life, his childhood shall grow up
Familiar with these songs, that with the night.
He may associate joy.-Once more, farewell,
Sweet Nightingale! Once more, my friends! farewell.

FROST AT MIDNIGHT.

THE frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud-and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange

And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings on of life,
Inaudible as dreams! the thin blue flame
Lies on my low burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,

Whose puny flaps and freaks the idling Spirit
By its own moods interprets, everywhere
Echo or mirror seeking of itself,

And makes a toy of Thought.

But O! how oft,

How oft, at school, with most believing mind,
Fresageful, have I gazed upon the bars,
To watch that fluttering stranger and as oft
With unclosed lids, already had I dreamt

Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang.
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me

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