Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 114
... Roberto leads her up to his room . Roberto's desire parallels the heterosex- ual male spectator's desire . However , as the film progresses , we , the spectators , begin to suspect that the woman might in fact be a man . The deep voice ...
... Roberto leads her up to his room . Roberto's desire parallels the heterosex- ual male spectator's desire . However , as the film progresses , we , the spectators , begin to suspect that the woman might in fact be a man . The deep voice ...
Side 164
... Roberto's rela- tionship . The initial segment ( 6 : 16-7 : 10 m . ) is a flashback to their youth set off during the scene of their meeting in a café after ten years of not seeing each other . It opens with the camera focusing briefly ...
... Roberto's rela- tionship . The initial segment ( 6 : 16-7 : 10 m . ) is a flashback to their youth set off during the scene of their meeting in a café after ten years of not seeing each other . It opens with the camera focusing briefly ...
Side 165
... Roberto with reticence bordering on indifference . After this flashback one would have to wonder at Roberto's delusional deter- mination not to see Cecilia as she is . It also prepares the audience for Cecilia's callous abandonment of ...
... Roberto with reticence bordering on indifference . After this flashback one would have to wonder at Roberto's delusional deter- mination not to see Cecilia as she is . It also prepares the audience for Cecilia's callous abandonment of ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
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Amores perros argued argument audience become Bowers Brenda Buñuel Carlos Carlos Fuentes Cecilia characters civil unions contemporary contract couples Court critical Cronos cultural Danzón debate desire discourse economic episode essay fantasy feminism feminist Fluxus Fluxwedding French Fuentes García gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy Juan La Malinche Lacan Latin American lesbian lesbian and gay Lévi-Strauss ley de Herodes Lisa Los olvidados Malinche mamá María María Félix married meaning ment Mexican cinema Mexican film Mexico City Mormon mother movie narrative narrator Nate novel PACS political polygamy popular practices production provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual difference sexual orientation social society sodomy sodomy laws space Spanish status story symbolic Théry Tigre de Santa tion traditional woman women words York Zapata