Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 102
... Carlos Fuentes writes his “ Luis Buñuel : el cine como liber- tad . " Taking up two themes that Paz and Cortázar had already treated , namely the freedom and poetry of Buñuel's films , the Mexican novelist highlights traits identified ...
... Carlos Fuentes writes his “ Luis Buñuel : el cine como liber- tad . " Taking up two themes that Paz and Cortázar had already treated , namely the freedom and poetry of Buñuel's films , the Mexican novelist highlights traits identified ...
Side 152
... Carlos , occurs during his love affair with Cecilia . They appear because Ro- berto is forced to find another apartment when Cecilia destroys his roommate's belongings . She arranges for him to rent Julia and Carlos ' place since they ...
... Carlos , occurs during his love affair with Cecilia . They appear because Ro- berto is forced to find another apartment when Cecilia destroys his roommate's belongings . She arranges for him to rent Julia and Carlos ' place since they ...
Side 168
... Carlos Mon- siváis ( 1938 ) , and José Emilio Pacheco ( 1939 ) . 3 Tajimara was produced by Manuel Barbachano Ponce and packaged together with Un alma pura , an adaptation from a Carlos Fuentes short story , and released under the title ...
... Carlos Mon- siváis ( 1938 ) , and José Emilio Pacheco ( 1939 ) . 3 Tajimara was produced by Manuel Barbachano Ponce and packaged together with Un alma pura , an adaptation from a Carlos Fuentes short story , and released under the title ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
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Almindelige termer og sætninger
Amores perros argued argument audience become Bowers Brenda Buñuel Carlos Carlos Fuentes Cecilia characters civil unions contemporary contract couples Court critical Cronos cultural Danzón debate desire discourse economic episode essay fantasy feminism feminist Fluxus Fluxwedding French Fuentes García gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy Juan La Malinche Lacan Latin American lesbian lesbian and gay Lévi-Strauss ley de Herodes Lisa Los olvidados Malinche mamá María María Félix married meaning ment Mexican cinema Mexican film Mexico City Mormon mother movie narrative narrator Nate novel PACS political polygamy popular practices production provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual difference sexual orientation social society sodomy sodomy laws space Spanish status story symbolic Théry Tigre de Santa tion traditional woman women words York Zapata