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adaptation of Trionglau cydserog gogyfer a Maharan-the signa triangulorum cœlestia inter se juxta Ariem, i. e., the mutually enclosed and constellated Triangulus on the confines of Aries, and thus, as it were, to blend and link together by the fiat of wisdom, the five component parts, essence, or elementary lines of separate physical action in one uniform typical body, as, Nôd Cadelfen, neu arwydd iachaol Natur; the symbolum Salutis naturale, the symbolical Hygeia, Cadw or Salus-the safeguard, the token, or exponent power of elementary creation to the end of appointed time.

SYMBOL VIII.

"Thou art of age and shalt speak for thyself, unto all generations of thinking men."

AGAIN, in Symbol 8 other primeval facts will be found to disclose themselves, and to which I shall have another occasion to advert more at large while discussing the sterling, the unapproachable merits of the 'Ingens facultas linquæ Cimmericæ.'

At present however, let the re-discovery of our symbolical and Adamitic alphabet, conjointly with a triad of propositions issuing out therefrom, go simply forth to a sceptic-world, as novel heralds of an inward comprehensive truth, that stands apart, aloft, endorsed on nature's laws, beyond the range, the boasted sway, or protocol of every other mortal tongue, that once did breathe the life of Asia or gasped the death of their imperial past, and classic fame, on proud Europa's destined strand, as

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"The power is there,

"The still and solemn power of many sights,

"And many sounds, and much of life and death."

The developement of the above will, I contend, be found to form:

I.-Ffynon pob llythyren

II. Cydymaith pob meddylfryd.

III.—Dawd-ddaliwr neu noddfa pob iaith dan ffurfafen nen.

1.-Fons omnium literarum.

OR

2.—Auxilium cogitationum vel clavis rationum linearium. 3.-Sequester vel refugium omnium linquarum in terris.

OR

a.- -The source and fountain of alphabetical characters.

B.-The handmaid of thought, or a key to elementary geometry.

y.-The depository and germ of all languages beneath the canopy

.

of heaven.

On reference to the worked-out problem, it will be seen that an equal or unequal combination or copulation of Adamitic, Coelbrennic, Cimmerian, bardic, Cimbric, or druidical straight lines into angles, triangles, squares, and oblongs, demonstrated primitively a key, not merely to a linqual intercommunicative idea of implied intonations-of intonations, je le repete hautement, that naturally embody the whole scope, volume, or power, of human sounds, (which is of itself the grandest fact in early literature,) but also a primary mathematical idea of angles in their general proportions of comparative magnitude, as to length,

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"Namet ipsa scientia linece elementariæ innata potestas."

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10-Nôd-Cynlun Troian Saronyddion, or Saronidesian Rock-ciphered Sketch, of the Solar System. (See pp. 47-51 and 180-1.)

ALUWC < X K >> DUE CHIL N X E nor a bf m cg ngh ch d dd n e f g ng h i l ll m fn op

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11-The Adamitic or Cimmerian Key-Notes of the Human Voice Divine. (See vol. 3.)

Bardic.

Pelasgic or Græco
Phoenician.

ALC>JEKI < KW NON VYTV Colbrennic or
YT170748 A
AB14 EFNIK L M N OPP ETY Old Greek.
ATA E BILO TV Etruscan.
^ YD FFXIKM MRP RYTD Runic.
A B C D E FHIKLMYOTRSTV di

(12.)

Old Latin, or part
Umbric.

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breadth and thickness of interpretation, arising from and existing therein, so as thereby to gradually reveal the science of mental, auricular, and ocular colloquy, or eye-reading, of musical notations and so forth, when carved on tablets of wood and stone.

Hence, by a comparison of the various angular forms of the alphabets in use amongst the primitive Asiatic nations of the world, it at once appears evident they are all directly or indirectly derived from this one common origin. What origin? My answer to every sincere investigator of first principles is, ever, in nomine cœli et veritatis, to collate, collate, collate, for himself, with himself, and by himself-and not dependently and sycophantly on the eyes, ears, and tongues of others, whether deemed learned or unlearned, rich or poor, pompous or otherwise-the mathematicallyconceived and divinely-formed Cimmerian, its angular uniqueness of style and design, when deciphered and compared with the later curves and circles of its own, as of others, and those usually denominated the Mosaic, Chaldaic or Syriac, the Pelasgic or the GræcoPhoenician-the Etruscan, Runic, or Old Latin.

The Adamitic idea being once given within the compass of the sacredly-preserved magien and the plan symmetrically foreshadowed, reduplications, and retriplications, of the original usque ad infinitum, like infringed patents or bills in Parliament of one country adapted by perplexed mediocrities in another, became at once patent easy, and feasible to a sucessive order of lettered distinctions, by additions, by vowel points, by a mappik, a shéva, a dagesh, &c., by digammas, abbreviations, or a spiritus lenis vel asper, as well as by sundry mutations, or other curved, diagonal, or horizontal modes of delineation, according to the inventive or imitative faculties given to man, whether Oriental or Occidental, whether Cimmerian futuro-adaptationists, or Indo-European copyists.

A case illustrative of this deduction may be studied in an engraving superadded to Thompson's history of Roman literature, and left without note or comment as to any fact, time, or country.

Though, till within the last few hours, unconscious of its existence, much less of any interpretation of it having been solved by the classic world, I feel disposed, even at the eleventh hour, to stop the press, and to hazard a hurried version of my own, founded solely on the combined reading of the text. The characters have evidently undergone an ordeal of probation, a graduallymodified process of early mutations, from some unknown source or other, inasmuch as Cimmerian, the Pelasgic, or the Old Greek letters, are found blended in one uniform brotherhood or amalgam of conflicting identifications, with three our four letters common to the Etruscan, the Runic, or the Old Latin.

The Cimmerian picture or illustration, then, represents three finelycarved figures, to which are affixed certain objects and expres

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