About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side viii
... wonder if the very idea of excellence has any point in relation to themselves . These are tempted to feel they are lucky if they work at all , and that to think about whether they can do it well enough is secondary to such questions as ...
... wonder if the very idea of excellence has any point in relation to themselves . These are tempted to feel they are lucky if they work at all , and that to think about whether they can do it well enough is secondary to such questions as ...
Side xvi
... was quite touched when I heard the other day that Paul Eddington and John Quentin , who played the same part after me , kept up the tradition . I wonder what they talked about ! Before rehearsals start Get The Facts Right 66 remember , xvi.
... was quite touched when I heard the other day that Paul Eddington and John Quentin , who played the same part after me , kept up the tradition . I wonder what they talked about ! Before rehearsals start Get The Facts Right 66 remember , xvi.
Side 93
... wonder , when they have to do retake after retake of eating a chocolate bar ? In plays , well , you have got to eat ; but the trick is to eat the easiest foods - the mashed potato , for example , rather than the meat , which can be so ...
... wonder , when they have to do retake after retake of eating a chocolate bar ? In plays , well , you have got to eat ; but the trick is to eat the easiest foods - the mashed potato , for example , rather than the meat , which can be so ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets