About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 10
... Voice Of The Author The voice of the author , the voice of the character , and you : these are the three basic ingredients of any successful performance . And of the three the hardest for an actor to realise is the voice of the author ...
... Voice Of The Author The voice of the author , the voice of the character , and you : these are the three basic ingredients of any successful performance . And of the three the hardest for an actor to realise is the voice of the author ...
Side 145
... Voice - Overs voice - overs Commentaries for films and for commercials : delightful jobs , both , delightful perks , both . And they both rely on your having a sort of microphone- presence a good forward voice , a voice with an edge to ...
... Voice - Overs voice - overs Commentaries for films and for commercials : delightful jobs , both , delightful perks , both . And they both rely on your having a sort of microphone- presence a good forward voice , a voice with an edge to ...
Side 147
... Voice And Concentration It is worth doing similar exercises at home before you go to the theatre for your performance , for you will enjoy yourself much more and feel much better if you are " in voice " ( in the singer's sense ) and in ...
... Voice And Concentration It is worth doing similar exercises at home before you go to the theatre for your performance , for you will enjoy yourself much more and feel much better if you are " in voice " ( in the singer's sense ) and in ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets