About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 41
... turn from one to the other . This means that the audience sees much more of my face , and it also enables me to make points ... you know that rather cross little line I have to you ? Well , just before , I shall have taken a drink and ...
... turn from one to the other . This means that the audience sees much more of my face , and it also enables me to make points ... you know that rather cross little line I have to you ? Well , just before , I shall have taken a drink and ...
Side 46
... turn back , to walk away again and then turn back . " Of course , " he said , beaming at his poor victim , “ the emotion doesn't have to be anger . But it's the easiest with which to demonstrate . " | 1 I 1 1 Footwork Anchors ...
... turn back , to walk away again and then turn back . " Of course , " he said , beaming at his poor victim , “ the emotion doesn't have to be anger . But it's the easiest with which to demonstrate . " | 1 I 1 1 Footwork Anchors ...
Side 50
... turn away from the person who is hurting you . Wherever you look when you turn away can establish the direction you take for your next move . Or , look down before you sit ; look up before you stand . A bit bald , but it's not bad , and ...
... turn away from the person who is hurting you . Wherever you look when you turn away can establish the direction you take for your next move . Or , look down before you sit ; look up before you stand . A bit bald , but it's not bad , and ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets