About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Resultater 1-3 af 31
Side xi
... thought this time I might be able to take classes in Speech and Voice Production , so I asked a friend of mine who taught at the Webber - Douglas Academy if she thought it would be a good idea for me to approach the Principal there and ...
... thought this time I might be able to take classes in Speech and Voice Production , so I asked a friend of mine who taught at the Webber - Douglas Academy if she thought it would be a good idea for me to approach the Principal there and ...
Side 49
... occur to you . Comb through your part for new thoughts , and moves may well spring out of them , for new thoughts come with energy , and it is that energy which converts itself into a move . Follow Your Thought Put a look in the direction ...
... occur to you . Comb through your part for new thoughts , and moves may well spring out of them , for new thoughts come with energy , and it is that energy which converts itself into a move . Follow Your Thought Put a look in the direction ...
Side 135
... thought I did well at the recording are often my least favourite when I see them , and the bits I thought were terrible are not so bad after all . If you judge yourself while you are performing , you are judging your present form , not ...
... thought I did well at the recording are often my least favourite when I see them , and the bits I thought were terrible are not so bad after all . If you judge yourself while you are performing , you are judging your present form , not ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets