About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 65
... story - line is strong enough for the audience to know what's going on . The Story Never stop telling yourself the story of the 65.
... story - line is strong enough for the audience to know what's going on . The Story Never stop telling yourself the story of the 65.
Side 66
... Story Never stop telling yourself the story of the play , for this will illumine the story of your character within it : it will tell you what happens to him , and how much he is altered by the circumstances . Each scene will have a ...
... Story Never stop telling yourself the story of the play , for this will illumine the story of your character within it : it will tell you what happens to him , and how much he is altered by the circumstances . Each scene will have a ...
Side 67
... story - so - far is especially valuable for filming . Shooting out of sequence always bothers me , but if the story is in everyone's mind mistakes are less frequently made . And I don't mean just physical mistakes , concerning the state ...
... story - so - far is especially valuable for filming . Shooting out of sequence always bothers me , but if the story is in everyone's mind mistakes are less frequently made . And I don't mean just physical mistakes , concerning the state ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets