About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 21
... start . Or at least to have a pretty good idea of them . When Noël Coward directed his own plays he insisted that the cast arrive word - perfect for the first rehearsal . And the distinguished director Murray Macdonald often used to say ...
... start . Or at least to have a pretty good idea of them . When Noël Coward directed his own plays he insisted that the cast arrive word - perfect for the first rehearsal . And the distinguished director Murray Macdonald often used to say ...
Side 22
... start from scratch , who bore everyone with endless arguments as to the meaning of the lines and the attitudes underpinning them , don't even notice what you are doing because they have their faces buried in their scripts . They don't ...
... start from scratch , who bore everyone with endless arguments as to the meaning of the lines and the attitudes underpinning them , don't even notice what you are doing because they have their faces buried in their scripts . They don't ...
Side 137
... start comparing one with another . I remember when Stephen Rea and I had done several takes of a long scene in a hotel corridor in Professional Foul he said to me , reverting from his Czech accent to his native Northern Irish one , " Oh ...
... start comparing one with another . I remember when Stephen Rea and I had done several takes of a long scene in a hotel corridor in Professional Foul he said to me , reverting from his Czech accent to his native Northern Irish one , " Oh ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets