About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 5
... speech which forces me to read it aloud . Often that speech becomes a model for the eventual performance ; it can constitute the plunge , and is all the better for being unconsidered . I go for the tone of voice first . That is my ...
... speech which forces me to read it aloud . Often that speech becomes a model for the eventual performance ; it can constitute the plunge , and is all the better for being unconsidered . I go for the tone of voice first . That is my ...
Side 70
... speech could clarify its meaning and colour its intentions . ( These words in brackets are not to be spoken , of course , they are merely aids to spontaneity . ) Here's a speech , not by Shakespeare but by me , just to illustrate the ...
... speech could clarify its meaning and colour its intentions . ( These words in brackets are not to be spoken , of course , they are merely aids to spontaneity . ) Here's a speech , not by Shakespeare but by me , just to illustrate the ...
Side 159
... Speech I said right at the beginning of this book that I liked to start classes at RADA with that quotation from Stanislavsky . I always used to end the last lesson with every class by reciting a speech which the students knew only too ...
... Speech I said right at the beginning of this book that I liked to start classes at RADA with that quotation from Stanislavsky . I always used to end the last lesson with every class by reciting a speech which the students knew only too ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets