About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 50
... someone . Over there , on the other side of you , is a table with drinks on it . Contrive while talking to look round at the drinks . Some time afterwards , go and get one . Or , for example , you are in a bad mood , and you turn away ...
... someone . Over there , on the other side of you , is a table with drinks on it . Contrive while talking to look round at the drinks . Some time afterwards , go and get one . Or , for example , you are in a bad mood , and you turn away ...
Side 112
... someone who is in another one ; you are talking through the walls , as it were , to someone you cannot see . If your instinct is really returning to you , you may find that at some moment you have to leave what you are doing and go into ...
... someone who is in another one ; you are talking through the walls , as it were , to someone you cannot see . If your instinct is really returning to you , you may find that at some moment you have to leave what you are doing and go into ...
Side 156
... someone else , and of really listening . I suppose the general rule is that you can move about as much as you want to when it's your turn , but you should remain as still as you can ( without freezing ) when it's someone else's . If you ...
... someone else , and of really listening . I suppose the general rule is that you can move about as much as you want to when it's your turn , but you should remain as still as you can ( without freezing ) when it's someone else's . If you ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets