About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
Fra bogen
Resultater 1-3 af 7
Side x
... seemed a bit pretentious to take classes there when I was a novice of twenty - six and when some of the students were considerably older than I was . But I had become depressed : I was playing small supporting roles in successful plays ...
... seemed a bit pretentious to take classes there when I was a novice of twenty - six and when some of the students were considerably older than I was . But I had become depressed : I was playing small supporting roles in successful plays ...
Side xi
... seemed too set , too patterned , and therefore lifeless . I had a great deal to learn , so , I thought , rather contrarily and boldly , why not teach ? School hours would fit in well with theatre hours , except on the mid - week matinée ...
... seemed too set , too patterned , and therefore lifeless . I had a great deal to learn , so , I thought , rather contrarily and boldly , why not teach ? School hours would fit in well with theatre hours , except on the mid - week matinée ...
Side xv
... seemed no way of conveying in a book the sort of excitement of discovery such an exercise can induce . So I dropped the idea , and in time I left RADA . I wanted a break from teaching , and anyway was starting to work more on television ...
... seemed no way of conveying in a book the sort of excitement of discovery such an exercise can induce . So I dropped the idea , and in time I left RADA . I wanted a break from teaching , and anyway was starting to work more on television ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets