About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 66
... scene will have a story . An excellent television director , David Reid , used to start the early rehearsals of every scene by telling the actors the story - so - far , like TV announcers do for the later episodes of a classic serial ...
... scene will have a story . An excellent television director , David Reid , used to start the early rehearsals of every scene by telling the actors the story - so - far , like TV announcers do for the later episodes of a classic serial ...
Side 68
... Scene Clifford Evans , in The Power Game , always wanted to know what had happened immediately before a scene started . We used to invent little scenes ( one of the many uses of improvisation , this ) to lead up to the scene we were ...
... Scene Clifford Evans , in The Power Game , always wanted to know what had happened immediately before a scene started . We used to invent little scenes ( one of the many uses of improvisation , this ) to lead up to the scene we were ...
Side 137
... scene may be recorded , it's very hard not to start comparing one with another . I remember when Stephen Rea and I had done several takes of a long scene in a hotel corridor in Professional Foul he said to me , reverting from his Czech ...
... scene may be recorded , it's very hard not to start comparing one with another . I remember when Stephen Rea and I had done several takes of a long scene in a hotel corridor in Professional Foul he said to me , reverting from his Czech ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets