About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 39
... relaxing , and moves invented in a relaxed atmosphere need less amending at later rehearsals because they start from a premise that comfortableness is what counts . Not cosiness , comfortableness . Only when an actor is comfortable will ...
... relaxing , and moves invented in a relaxed atmosphere need less amending at later rehearsals because they start from a premise that comfortableness is what counts . Not cosiness , comfortableness . Only when an actor is comfortable will ...
Side 47
... relaxed they are , and how walking about on a stage does not always mean walking forwards : you can walk sideways ... Relax your feet ! " and " Always have more breath than you need ! " Years later , I was in a production for television ...
... relaxed they are , and how walking about on a stage does not always mean walking forwards : you can walk sideways ... Relax your feet ! " and " Always have more breath than you need ! " Years later , I was in a production for television ...
Side 135
... Relax And Enjoy It Your performance is determined by what you have rehearsed . If you have rehearsed well your performance will take care of itself . Just do what you have practised . If you feel your performance take wing , let it fly ...
... Relax And Enjoy It Your performance is determined by what you have rehearsed . If you have rehearsed well your performance will take care of itself . Just do what you have practised . If you feel your performance take wing , let it fly ...
Andre udgaver - Se alle
About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets