About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side xv
... possible to disguise from us the fact that it is just an exercise and even , if possible , to enhance the speech because of the variety of attitudes the moves will dictate . ” This , believe it or not , is a wonderful exercise , and can ...
... possible to disguise from us the fact that it is just an exercise and even , if possible , to enhance the speech because of the variety of attitudes the moves will dictate . ” This , believe it or not , is a wonderful exercise , and can ...
Side 119
... possible , though " as possible " is very much the controller of that dictum . Some bits are bound to be slow ; but cues can often be more sharply taken , changes of tone more surprisingly used , and the four varieties of speech more ...
... possible , though " as possible " is very much the controller of that dictum . Some bits are bound to be slow ; but cues can often be more sharply taken , changes of tone more surprisingly used , and the four varieties of speech more ...
Side 125
... possible , and know the value of slack turns of the head during a laugh - line . I don't know why they work but they seem to , as do small involuntary movements like crossing your legs , rubbing your eyes , putting your hand to your ...
... possible , and know the value of slack turns of the head during a laugh - line . I don't know why they work but they seem to , as do small involuntary movements like crossing your legs , rubbing your eyes , putting your hand to your ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets