About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side xv
... person ? " The answers were very revealing . Another was : " What advice given by other people has most helped you and affected your acting ? " And it was with that question that the idea for this book dawned . I ought to write , I ...
... person ? " The answers were very revealing . Another was : " What advice given by other people has most helped you and affected your acting ? " And it was with that question that the idea for this book dawned . I ought to write , I ...
Side 28
... person , or persons , to whom you are talking . Sometimes what you say has most of your attention ( if it's a memory , for example , or something which is difficult to think out or to find the right words for ) ; sometimes the person ...
... person , or persons , to whom you are talking . Sometimes what you say has most of your attention ( if it's a memory , for example , or something which is difficult to think out or to find the right words for ) ; sometimes the person ...
Side 50
... person who is hurting you . Wherever you look when you turn away can establish the direction you take for your next move . Or , look down before you sit ; look up before you stand . A bit bald , but it's not bad , and it works ...
... person who is hurting you . Wherever you look when you turn away can establish the direction you take for your next move . Or , look down before you sit ; look up before you stand . A bit bald , but it's not bad , and it works ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets