About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 124
... laugh - lines right through to the very last word . Remember that when you have a laugh - line you are not only inviting the audience to laugh but you are inviting them to laugh at a particular moment ... that moment , usually 124.
... laugh - lines right through to the very last word . Remember that when you have a laugh - line you are not only inviting the audience to laugh but you are inviting them to laugh at a particular moment ... that moment , usually 124.
Side 125
... laugh at a particular moment ... that moment , usually the last word of your line , could do with an extra little punch . Don't be slow . Don't try to be funny but know what it is that's funny about the funny bits . Be as relaxed as ...
... laugh at a particular moment ... that moment , usually the last word of your line , could do with an extra little punch . Don't be slow . Don't try to be funny but know what it is that's funny about the funny bits . Be as relaxed as ...
Side 156
... laugh - line , you can bet your bottom dollar their laugh will be diminished , and they will not thank you for it . Actors become very sensitive to laughs in a long run , and one of the main causes of argument and , possibly , friction ...
... laugh - line , you can bet your bottom dollar their laugh will be diminished , and they will not thank you for it . Actors become very sensitive to laughs in a long run , and one of the main causes of argument and , possibly , friction ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets