About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side xiv
... course , which I was only too happy to do , for it allowed me to experiment with new methods and exercises . Later I took the second term as well , and occasional classes for Finals students ; and by 1958 I was working there more or ...
... course , which I was only too happy to do , for it allowed me to experiment with new methods and exercises . Later I took the second term as well , and occasional classes for Finals students ; and by 1958 I was working there more or ...
Side 22
... course : you won't want to throw it away right at the beginning ) ; and this element of surprise , if you remember it , is one of the most valuable things that can happen . So often it is totally lacking , and plays become flat and ...
... course : you won't want to throw it away right at the beginning ) ; and this element of surprise , if you remember it , is one of the most valuable things that can happen . So often it is totally lacking , and plays become flat and ...
Side 103
... course not , " she said , " I think it's good . ' “ There you are , you see , " said Alan , triumphant , " you've both just done it . Greer answered , “ No , of course not " to your question , " Do you mind , Greer ? " The fact that you ...
... course not , " she said , " I think it's good . ' “ There you are , you see , " said Alan , triumphant , " you've both just done it . Greer answered , “ No , of course not " to your question , " Do you mind , Greer ? " The fact that you ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets