About Acting: (with a Bit of Name Dropping and a Few Golden Rules)Secker and Warburg, 1980 - 160 sider This book is on every aspect of acting. Topics include the connection between speech and movement, how to cope with bad dialogue, the subject of concentration and more. |
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Side 63
... characters , but you rarely sense that a character changes when his companions are different . Especially should you know how much , and in what way , your attitude to each character develops as the play progresses . Affections - mother ...
... characters , but you rarely sense that a character changes when his companions are different . Especially should you know how much , and in what way , your attitude to each character develops as the play progresses . Affections - mother ...
Side 73
... character has never thought of before . Approaches to other characters involving hesitancy . Ideas your character is trying to clarify . You will find lots of examples in every worthwhile part , and it is worthwhile making the effort to ...
... character has never thought of before . Approaches to other characters involving hesitancy . Ideas your character is trying to clarify . You will find lots of examples in every worthwhile part , and it is worthwhile making the effort to ...
Side 111
... character or characters in chairs , so you know where they are , and do the scene while you are dusting . It will tell you many things , this exercise : it will tell you when your concentration can be mostly on the dusting and you needn ...
... character or characters in chairs , so you know where they are , and do the scene while you are dusting . It will tell you many things , this exercise : it will tell you when your concentration can be mostly on the dusting and you needn ...
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About Acting: (with a Bit of Name Dropping and a Few Golden Rules) Peter Barkworth Uddragsvisning - 1980 |
Almindelige termer og sætninger
acting actors actress aftersurge Alan Bridges anchors attitudes audience BUCKLE camera cast character characterisation classes cliché Clifford Evans comedy concentration course Crown Matrimonial d'you damned dialogue drink early rehearsals Edith Evans emotion everyday example exercise face favourite feel films forget fourth wall funny generalised give going to show Greer happen HEADINGLEY homework Hugh Miller idea interrupt John Fernald later rehearsals laugh laugh-line Laurence Olivier learn the lines Lionel Harris look means memory Michael Frayn microphone mind move never nice night Noël Coward pause Penelope Keith performance person Pretend Professional Foul quickly radio rehearsal room relaxed remember scene script smoke someone speak speech speed stage started stop stylised surprise telephone television director television play tell theatre there's things thought Tom Stoppard turn voice walk Wendy Hiller Whhht words in brackets