Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 14,Oplag 1–21992 |
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Side 144
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
Side 151
... performance is done essentially if not uniquely , for the artist himself / herself . If we accept this statement ... art sufficient unto itself ? Are the eye of the movie camera , the mounting of photos , and the subsequent exhibit enough to ...
... performance is done essentially if not uniquely , for the artist himself / herself . If we accept this statement ... art sufficient unto itself ? Are the eye of the movie camera , the mounting of photos , and the subsequent exhibit enough to ...
Side 159
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
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action action painting addressed aesthetic affect analysis Anne Catherick's story argue articulated artists audience Auto-Destructive Art avant-garde Baudrillard become body Cinema construction contemporary critical critique culture destruction art discourse Doeuff emotional essay example feminine feminism feminist Film Freud function gender Gilles de Rais Grosz happening Hartright historicism human identity ideology Indian individual interactive Irigaray issue Kristeva labor language Leonardo lexis mance Marxism material means modern museum narrative Native American Nitsch object painting performance art phonè play political position postmodern present production pseudo-event question reburial relations representation Routledge scene sciomancy screen seems Sensation novel Sensationalism Sensationalism's sense sexual shadow Situationist International social society Soja space spatial street-lamp structure Studies Suleiman symbolic television television's textual theater theory tion traditional Trans Valie Export Viennese actionism viewers virtual reality voice Woman in White women writes York