Discourse, Bind 14Indiana University Press, 1992 |
Fra bogen
Resultater 1-3 af 79
Side 148
... practices . " The distinction that I want to make here between function and genre allows me to show how performance ... practices have been catego- rized under the name . The diversity of forms and practices avail- able to performance ...
... practices . " The distinction that I want to make here between function and genre allows me to show how performance ... practices have been catego- rized under the name . The diversity of forms and practices avail- able to performance ...
Side 68
... practices in which alternatively gen- dered worlds are imagined . The practices I will be exploring are active performances of gender " that disrupt the categories of the body , sex , gender , and sexuality and occasion their subversive ...
... practices in which alternatively gen- dered worlds are imagined . The practices I will be exploring are active performances of gender " that disrupt the categories of the body , sex , gender , and sexuality and occasion their subversive ...
Side 73
... practice . " At first these subcultural practices seem distant , if not divorced from the legal regime of publicity rights , but they occupy a space intersected by a multiplicity of relations between law and cultural form . I am ...
... practice . " At first these subcultural practices seem distant , if not divorced from the legal regime of publicity rights , but they occupy a space intersected by a multiplicity of relations between law and cultural form . I am ...
Indhold
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York