Discourse, Bind 14Indiana University Press, 1992 |
Fra bogen
Resultater 1-3 af 75
Side 93
the meaning of Sensationalism's position as an aesthetic exple- tive : waste , trash , contagion . A ) The Dissective ... position for the reader . And finally , importantly , Dickens points out that the difference between Collins's ...
the meaning of Sensationalism's position as an aesthetic exple- tive : waste , trash , contagion . A ) The Dissective ... position for the reader . And finally , importantly , Dickens points out that the difference between Collins's ...
Side 171
... positions herself as a channeler of voices : she describes herself as " being a medium , " performing in " somewhat of a trance ... position of victim in “ the patriarchal family structure that the theatre reproduces ad infinitum " ( 456 ) ...
... positions herself as a channeler of voices : she describes herself as " being a medium , " performing in " somewhat of a trance ... position of victim in “ the patriarchal family structure that the theatre reproduces ad infinitum " ( 456 ) ...
Side 101
... positions " ( 35 ) . As Fuss points out , this “ where ” can be multiple , contradictory , and capable of announcing itself as one position while deploying others as it strategically negotiates the powers it wishes to dismantle and the ...
... positions " ( 35 ) . As Fuss points out , this “ where ” can be multiple , contradictory , and capable of announcing itself as one position while deploying others as it strategically negotiates the powers it wishes to dismantle and the ...
Indhold
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York