Discourse, Bind 14Indiana University Press, 1992 |
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Side 33
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
Side 37
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That " 138-39 ) . On the confessional structure of ...
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That " 138-39 ) . On the confessional structure of ...
Side 151
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
Indhold
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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