Discourse, Bind 14Indiana University Press, 1992 |
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... Cinema Lynne Kirby The Urban Spectator and the Crowd in Early American Train Films Charles Keil The Story of Uncle Josh Told : Spectatorship and Apparatus in Early Cinema Heide Schlüpmann Cinema as Anti - Theater : Actresses and Female ...
... Cinema Lynne Kirby The Urban Spectator and the Crowd in Early American Train Films Charles Keil The Story of Uncle Josh Told : Spectatorship and Apparatus in Early Cinema Heide Schlüpmann Cinema as Anti - Theater : Actresses and Female ...
Side 185
... cinema can be very ordinary and banal , very real and unmetaphori- cal ; it may even resemble the cliché . The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too ...
... cinema can be very ordinary and banal , very real and unmetaphori- cal ; it may even resemble the cliché . The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too ...
Side 186
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
Indhold
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York