Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 20Indiana University Press, 1998 |
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Side 141
... Leimbacher : And what appeals to you about that ? Strand : I like to watch . Leimbacher : So apart from your work with Canyon for several years in Berkeley and your friendship with Bruce and his teaching you to use a Bolex , were there ...
... Leimbacher : And what appeals to you about that ? Strand : I like to watch . Leimbacher : So apart from your work with Canyon for several years in Berkeley and your friendship with Bruce and his teaching you to use a Bolex , were there ...
Side 146
... Leimbacher : And that's of course the only film where you have long spoken sync sound interviews . Strand : Right , because they're sync and I couldn't hold the camera handheld that long anyway . It gives me a headache . Usually since I ...
... Leimbacher : And that's of course the only film where you have long spoken sync sound interviews . Strand : Right , because they're sync and I couldn't hold the camera handheld that long anyway . It gives me a headache . Usually since I ...
Side 148
... Leimbacher : And in Mujer de Mil Fuegos you use a beautiful line “ I am made in silence , my words fall to my feet like the reflections in a broken mirror . . . ” Strand : Yeah but that's from stuff I think is Jean Cocteau . I think , I ...
... Leimbacher : And in Mujer de Mil Fuegos you use a beautiful line “ I am made in silence , my words fall to my feet like the reflections in a broken mirror . . . ” Strand : Yeah but that's from stuff I think is Jean Cocteau . I think , I ...
Indhold
Winter and Spring 1998 | 28 |
To My Son Parker Asleep in the Next Room | 44 |
Abomunist Manifesto Notes Dis and ReGarding Abomunism | 59 |
Copyright | |
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