Contemporary Russian Cinema

Forsideomslag
Edinburgh University Press, 12. apr. 2016 - 304 sider
Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
 

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Indhold

Introduction
1
1 Abstracted Subjectivity and
36
Aleksandr Proshkins The Miracle 2009
54
Aleksei Balabanovs Morphine 2008
72
Nikolai Khomerikis
109
8 Body in Crisis and
163
10 Intentionality and
199
Aleksandr Zeldovichs The Target 2010
236
Filmography
258
Bibliography
264
Index
281
Copyright

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Om forfatteren (2016)

Vlad Strukov is Associate Professor at the University of Leeds, specialising in world cinemas, digital media and cultural theory

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