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There the blithe bee his fragrant fortress builds,
The freeborn wanderer of thy mountain-air;
Apollo still thy long, long summer gilds,
Still in his beam Mendeli's marbles glare;
Art, Glory, Freedom fail, but Nature still is fair.

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LXXXVIII.

Where'er we tread 'tis haunted, holy ground;
No earth of thine is lost in vulgar mould,
But one vast realm of wonder spreads around,
And all the Muse's tales seem truly told,
Till the sense aches with gazing to behold
The scenes our earliest dreams have dwelt upon:
Each hill and dale, each deepening glen and wold
Defies the power which crush'd thy temples gone:
Age shakes Athena's tower, but spares gray Marathon.

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LXXXIX.

The sun, the soil, but not the slave, the same;
Unchanged in all except its foreign lord,

Preserves alike its bounds and boundless fame

The Battle-field, where Persia's victim horde

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First bow'd beneath the brunt of Hellas' sword,

As on the morn to distant Glory dear,

When Marathon became a magic word;

Which utter'd, to the hearer's eye appear

The camp, the host, the fight, the conqueror's career,

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XC.

The flying Mede, his shaftless broken bow;
The fiery Greek, his red pursuing spear;
Mountains above, Earth's, Ocean's plain below;
Death in the front, Destruction in the rear!
Such was the scene- - what now remaineth here?
What sacred trophy marks the hallow'd ground,
Recording Freedom's smile and Asia's tear?
The rifled urn, the violated mound,

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The dust thy courser's hoof, rude stranger! spurns around.

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XCI.

Yet to the remnants of thy splendor past
Shall pilgrims, pensive, but unwearied, throng;
Long shall the voyager, with th' Ionian blast,
Hail the bright clime of battle and of song;
Long shall thine annals and immortal tongue
Fill with thy fame the youth of many a shore:
Boast of the aged! lesson of the young!

Which sages venerate and bards adore,

As Pallas and the Muse unveil their awful lore.

XCII.

The parted bosom clings to wonted home,

If aught that's kindred cheer the welcome hearth:
He that is lonely, hither let him roam,
And gaze complacent on congenial earth.

Greece is no lightsome land of social mirth;
But he whom Sadness sootheth may abide,
And scarce regret the region of his birth,

When wandering slow by Delphi's sacred side,

Or gazing o'er the plains where Greek and Persian died.

XCIII.

Let such approach this consecrated land,

And pass in peace along the magic waste:

But spare its relics - let no busy hand
Deface the scenes, already now defaced!

Not for such purpose were these altars placed.
Revere the remnants nations once revered:

So may our country's name be undisgraced,

So mayst thou prosper where thy youth was rear'd, By every honest joy of love and life endear'd!

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[VENICE.]

CHILDE HAROLD, CANTO IV.

I.

I STOOD in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:

I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times when many a subject land
Look'd to the wingèd Lion's marble piles,

Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,

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And such she was; — her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she robed, and of her feast

Monarchs partook, and deem'd their dignity increased.

III.

In Venice Tasso's echoes are no more,
And silent rows the songless gondolier:
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone
- but Beauty still is here.
States fall, arts fade- but Nature doth not die,

Nor yet forget how Venice once was dear,
The pleasant place of all festivity,

The revel of the earth, the masque of Italy!

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IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the Dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and he Moor,
And Pierre, cannot be swept o. worn away -
The keystones of the arch! though all were o'er,
For us repeopled were the solitary shore.

V.

The beings of the mind are not of clay;
Essentially immortal, they create

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The spouseless Adriatic mourns her lord;
And, annual marriage now no more renew'd,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion, where he stood,
Stand, but in mockery of his wither'd power,
Over the proud Place where an Emperor sued,
And monarchs gazed and envied in the hour
When Venice was a queen with an unequall'd dower.

XII.

The Suabian sued, and now the Austrian reigns —
An Emperor tramples where an Emperor knelt;
Kingdoms are shrunk to provinces, and chains
Clank over sceptred cities; nations melt

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From Power's high pinnacle, when they have felt
The sunshine for a while, and downward go
Like lauwine loosen'd from the mountain's belt;
Oh for one hour of blind old Dandolo !
Th' octogenarian chief, Byzantium's conquering foe.

XIII.

Before St. Mark still glow his steeds of brass,
Their gilded collars glittering in the sun;
But is not Doria's menace come to pass?
Are they not bridled! - Venice, lost and won,
Her thirteen hundred years of freedom done,
Sinks, like a sea-weed, into whence she rose!
Better be whelm'd beneath the waves, and shun,
Even in Destruction's depth, her foreign foes,
From whom submission wrings an infamous repose.

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XIV.

a new Tyre,

In youth she was all glory,
Her very byword sprung from victory,
The “Planter of the Lion," which through fire
And blood she bore o'er subject earth and sea;
Though making many slaves, herself still free,
And Europe's bulwark, 'gainst the Ottomite;
Witness Troy's rival, Candia! Vouch it, ye
Immortal waves that saw Lepanto's fight!
For ye are names no time nor tyranny can blight.

XV.

Statues of glass-all shiver'd the long file
Of her dead Doges are declined to dust;
But where they dwelt, the vast and sumptuous pile
Bespeaks the pageant of their splendid trust;
Their sceptre broken, and their sword in rust,
Have yielded to the stranger: empty halls,
Thin streets, and foreign aspects, such as must
Too oft remind her who and what enthrals,

Have flung a desolate cloud o'er Venice' lovely walls.

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