Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 43
... women vis - à - vis the law , while the unusual identification of a female narrator suggests a more equal opportunity approach , whereby men and women are the same before the law . These options are remarkably evocative of what ...
... women vis - à - vis the law , while the unusual identification of a female narrator suggests a more equal opportunity approach , whereby men and women are the same before the law . These options are remarkably evocative of what ...
Side 124
... women ( the his- torical beings who make and watch TV programs ) and Woman ( a cultural construct produced in the discourses of television and about television ) -intersections which circumscribe the appar- ently multiple ...
... women ( the his- torical beings who make and watch TV programs ) and Woman ( a cultural construct produced in the discourses of television and about television ) -intersections which circumscribe the appar- ently multiple ...
Side 126
... women's issues , feminist perspectives , and an alternative structure of enter- tainment — a confusion which both promotes the belief that women's struggles have already all been won and obscures the gendered interests still very much ...
... women's issues , feminist perspectives , and an alternative structure of enter- tainment — a confusion which both promotes the belief that women's struggles have already all been won and obscures the gendered interests still very much ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York