Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 37
... voice itself is the realization of the voice of the " how - to " or " self - help " genre , the authority of recipes , not orders strictly speaking , but sugges- tions which need not be hedged in any apologetic language ( please and ...
... voice itself is the realization of the voice of the " how - to " or " self - help " genre , the authority of recipes , not orders strictly speaking , but sugges- tions which need not be hedged in any apologetic language ( please and ...
Side 57
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
Side 53
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York