Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 80
... me who prompted me , you asked why do I turn around and look over my shoulder so often I said behind me it dances for I did not want to say : speaks . ” ― What turns up behind our backs , are all effects 80 Discourse X.1.
... me who prompted me , you asked why do I turn around and look over my shoulder so often I said behind me it dances for I did not want to say : speaks . ” ― What turns up behind our backs , are all effects 80 Discourse X.1.
Side 108
... turn her attention in the last half of the book to the rhetorical strategies of the Right's use of the media in Chile's political upheavals of the early 1970s . The catalyst for Ang's discussion of Dallas , its viewers , and its ...
... turn her attention in the last half of the book to the rhetorical strategies of the Right's use of the media in Chile's political upheavals of the early 1970s . The catalyst for Ang's discussion of Dallas , its viewers , and its ...
Side 16
... turn and became , instead , a long agonizing process in which we started and since then have not stopped " interrogat [ ing ] ourselves about the ' masks ' [ we ] wore . " This language of the Other , the French of France I employed so ...
... turn and became , instead , a long agonizing process in which we started and since then have not stopped " interrogat [ ing ] ourselves about the ' masks ' [ we ] wore . " This language of the Other , the French of France I employed so ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York