Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 62
... traditional , and the feminine were relegated to the " silence of the ancient world " ; modernity in futurist terms was noisy . The futurist project included not only the much - quoted manifestos ( many of which were declaimed from ...
... traditional , and the feminine were relegated to the " silence of the ancient world " ; modernity in futurist terms was noisy . The futurist project included not only the much - quoted manifestos ( many of which were declaimed from ...
Side 68
... traditional set of criteria that constitutes what qualifies as musical sound , and even more importantly , a set of criteria concerning traditional musical competence , both of which suggest that only " experts " can organize and ...
... traditional set of criteria that constitutes what qualifies as musical sound , and even more importantly , a set of criteria concerning traditional musical competence , both of which suggest that only " experts " can organize and ...
Side 69
... traditional notions of musical contexts ( as one would expect given his historical positioning ) , particularly on the inter - note level . That is to say that their attack and decay patterns are molded into relatively traditional ...
... traditional notions of musical contexts ( as one would expect given his historical positioning ) , particularly on the inter - note level . That is to say that their attack and decay patterns are molded into relatively traditional ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York