Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 60
Berkeley Journal for Theoretical Studies in Media and Culture. A general theory of noise can be derived from information theory . In the classical textbook definition , noise is " any undesira- ble signal in the transmission of a message ...
Berkeley Journal for Theoretical Studies in Media and Culture. A general theory of noise can be derived from information theory . In the classical textbook definition , noise is " any undesira- ble signal in the transmission of a message ...
Side 105
... theory and to recognize the complexity of communication in media - saturated societies is also one of the founding principles of Fiske's chapter . But like Kaplan , while he advances a fascinating argument that lays to rest many of ...
... theory and to recognize the complexity of communication in media - saturated societies is also one of the founding principles of Fiske's chapter . But like Kaplan , while he advances a fascinating argument that lays to rest many of ...
Side 21
... theory like any other theory , but something else again , i.e. , a practical theory and the practice of a theory . And on the historical plane , it is indeed what it is , that is , a theory and a liquidating practice in a fundamentally ...
... theory like any other theory , but something else again , i.e. , a practical theory and the practice of a theory . And on the historical plane , it is indeed what it is , that is , a theory and a liquidating practice in a fundamentally ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York