Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 12
... stratégies fatales ( 1983 ) . One way to elucidate such a system is to imagine a distinction between two sets ... strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the ...
... stratégies fatales ( 1983 ) . One way to elucidate such a system is to imagine a distinction between two sets ... strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the ...
Side 21
... strategies of Baudrillard keep returning us to his famous Black Hole - a scenario that is so grim , obsessive , and in its enunciative strategies , maniacally over - coherent , that instead of speaking , a woman must tear out her eye to ...
... strategies of Baudrillard keep returning us to his famous Black Hole - a scenario that is so grim , obsessive , and in its enunciative strategies , maniacally over - coherent , that instead of speaking , a woman must tear out her eye to ...
Side 42
... strategies against the grain , which implies an initial coherence that might then be turned around , but rather for identifying the ambivalence central to the strategies themselves . Ambivalent or not , however , Grace Van Owen's ...
... strategies against the grain , which implies an initial coherence that might then be turned around , but rather for identifying the ambivalence central to the strategies themselves . Ambivalent or not , however , Grace Van Owen's ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York