Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 38
... storyline involves a black woman who is never seen on camera , a woman who has been brutally exploited by her insurance company . In this storyline , the black woman functions as nothing more than a pretense for Ann Kelsey to fight the ...
... storyline involves a black woman who is never seen on camera , a woman who has been brutally exploited by her insurance company . In this storyline , the black woman functions as nothing more than a pretense for Ann Kelsey to fight the ...
Side 40
... storyline , almost as if there is a narrative price to be paid for the woman's vindication , a vindication virtually indis- tinguishable from the feminist insistence that acquaintanceship in no way mitigates the criminality of rape ...
... storyline , almost as if there is a narrative price to be paid for the woman's vindication , a vindication virtually indis- tinguishable from the feminist insistence that acquaintanceship in no way mitigates the criminality of rape ...
Side 41
... storylines ; those connections emerge , rather , through other narrative devices , such as the principles of overlap I've described . An exception to this rule occurs during the Stacy Gill storyline . Kuzak defends Gill passionately ...
... storylines ; those connections emerge , rather , through other narrative devices , such as the principles of overlap I've described . An exception to this rule occurs during the Stacy Gill storyline . Kuzak defends Gill passionately ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York