Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 124
... story to express it — but , quite the contrary , the story can become a mere alibi to get the spectacle going . The art uses certain subject matters not for their meanings but for their ability to allow a maximum of formal possibilities ...
... story to express it — but , quite the contrary , the story can become a mere alibi to get the spectacle going . The art uses certain subject matters not for their meanings but for their ability to allow a maximum of formal possibilities ...
Side 127
... story ends with Abigail knocking him out while declaring her love for him . Orville's story is an adventure of the classic sort " AWingate fighting tooth and nail for the woman he loves , " as his father puts it . And yet , the very ...
... story ends with Abigail knocking him out while declaring her love for him . Orville's story is an adventure of the classic sort " AWingate fighting tooth and nail for the woman he loves , " as his father puts it . And yet , the very ...
Side 129
... story of a productive farm woman : as entertainer , Garland will be expected to sing and dance . Moreover , a kind of intertextual operation maintains a connotation of Garland as the person who , in The Wizard of Oz , set up the world ...
... story of a productive farm woman : as entertainer , Garland will be expected to sing and dance . Moreover , a kind of intertextual operation maintains a connotation of Garland as the person who , in The Wizard of Oz , set up the world ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York